Glass candelabra, finding the shooting wall, screen tests and deliberate outtakes of Richard Taylor and Scott Baxter at the CCA, white candles, gold leaf, Lift Your Skinny Fists Like Antennas to Heaven

Kimberley O’Neill Enigma Bodytech Collective, Satellites Programme 18 May 2019 — 30 Jun 2019 Collective, City Observatory, 38 Calton Hill, Edinburgh EH7 5AA (I noticed {…}

16 and 17 March 2019, organized by Edinburgh Artists’ Moving Image Critical Forum/Oliver Mezger

The final No.35 project, with artist Jane Topping, publication and exhibition 8 December 2018   “She Was A Visitor”   (It started off by remembering {…}

Filmed on location, Market Gallery, Glasgow, 9 October 2018 Camera assistant, Alex Withey * A Palindrome   16mm film print, black and white, silent, 16fps {…}

“the yellow film”, bleached frames, mirrors, yellow flowers, pink gloves, yellow lights, gold spinning, candles, performance artist Cath Whippey in excesses of colored clothes.

Last song for a waterbaby, Satellites Programme, 23 March 2019 — 5 May 2019, Collective, Edinburgh Image: Katie Shannon, ‘Last song for a waterbaby’, film still, 2019 {…}

January 31st 2019, (performative) presentation or lecture, 3.30pm, Fine Art Studio, Institute of the Arts, Carlisle. With thanks to Jane Topping, Poppy Kathleen and Steve Ogden {…}

I am screening a film experiment made after Rose Lowder’s masterclass and reading Flaubert’s Bouvard and Pécuchet after seeing some films by João Maria Gusmão {…}

Camera test, (The Sea, At Land, Beaulieu camera test), NMS 5 October 2018. A (Carol Bove) Display  

Silent, experimental 16mm film, photographed June 2018

    these were the things that made the step familiar    Image: Maya Deren, Witch’s Cradle Outtakes, 1943. Courtesy of LUX, London     &nbsp {…}

Originally published This is Tomorrow, 11 February 2019   With thanks to Peter Amoore and Cooper Gallery.   Visual artist and filmmaker Phil Collins’ journalistic {…}

For Carol Rhodes   35mm half-frame camera stills

16mm colour film, August 2018, Narda Azaria Dalgleish, Hawick. With thanks to Robert McDougall. Reference, Robert Ashley, Hidden Similarities, 2007    

Helen McCrorie If play is neither inside nor outside, where is it? 13 July 2019 — 6 October 2019   ‘Indeed, we are given over {…}

Image courtesy of Cooper Gallery/AMC,  A love, film still, 2019   Anne-Marie Copestake ‘Looking in either direction the whole street was filled with people, some singing {…}

Affinity and Allusion Collective, City Observatory, 38 Calton Hill, Edinburgh, EH7 5AA 24 November 2018 – 10 February 2019   James N Hutchinson, Dineo Seshee Bopape, Klaus {…}

Camera assistant for new Jenny Hogarth work. Please stand by.

Flowers (multiple), pewter hands, Helen Duncan, witchcraft trial, fake medium, cheesecloth ectoplasm, Chinese wallpaper, flowers on display, Graham Mack and Catherine Whippey, white marble busts, Margaret (martyr), chandeliers, conservation room, puppets, lamps, wasps, Elisabeth and Mary, individual frames, roses, sunflowers, gestures, addicts, Yvonnes, university art collection, ignored public art sculptures, Bouvard et Pécuchet, verre églomisé…