Edition for Allison Gibbs, Ripples on the Pond, with a performance from Ruth Barker
Thursday 30 July, 7.30pm and How to wash your hands in molten metal, 18 February – 10 March 2016

The White Ink Lecture addresses the audience as a lesson in the form of a reported seance, summoning a sequence of associative connections between French {…}

Originally published at This is Tomorrow, 3 September 2015, photography Chris Park © Talbot Rice Gallery, Edinburgh   An analysis of the properties and conduct of {…}

Originally published at Aesthetica Blog, July 2015   London-based artist Marvin Gaye Chetwynd contributes to the Edinburgh Art Festival’s commissioning strand The Improbable City, with {…}

Photograph: Alex Hetherington   The Speed and Daring of the Fabling Boys is a series of sketches in text, print and a performed game. It {…}

And Under That (2012). Video, 32 minutes, 5.1 surround sound/stereo soundtrack. Anne-Marie Copestake Screened courtesy of the artist and LUX, London For Sue. Dedicated to {…}

Modern Edinburgh Film School presents Lauren Gault: Granular & Crumb Saturday 5 September 2015 4 – 6 pm Glasgow Sculpture Studios Gallery For Ripples on the {…}

Florian and Michael Quistrebert: Visions of Void, first published This is Tomorrow, 27 February 2015 Dundee Contemporary Arts, Dundee, 7 February – 22 March 2015&nbsp {…}

Screenings, print, newspaper edition of 100, video, sculpture and performance from Zoë Fothergill, Anne McGuire, Lucy Skaer, Katrina Vallé, Amy Pickles, Mairi Lafferty, Anna Lucas {…}

A3 colour print, made in an edition of 50, made to disappear from the gallery, 2015, (from a 16mm film still, 1985)

Screening, THAT NOW, 2013, HD video with Sound, 10:05 mins   Part of Ripples on the Pond, a year-long exhibition and screening project examining works {…}

Catherine Street, with Iain Morrison, Ripples on the Pond, CCA, Glasgow 26 May 2015, Mineral Mind, 2014, audio, 05 mins 55 secs, Limitunlimit,  2015, HD video {…}

Edinburgh Homosexual print series, final publication, A3 colour edition, published in an edition of 50, 2015

MOTHS is a partial or pretend narrative which explores the relationship between public and private spaces, alluding to their multiple occupancy and historical functions, presented {…}

  2015, Ripples on the Pond, Mairi Lafferty edition, Droste 16mm film screening with talks and video by Suzanne van der Lingen, Alex Hetherington and {…}

A Room Full of Stones, 2014 and Bagmotts Halt, 2014 Anne Colvin 28 May – 9 July 2015, Gallery of Modern Art   GoMA are {…}

Phyllida Barlow: set left to right: untitled: caro, 2015, timber, plywood, filler, paint, 360 x 480 x 270 cm; untitled: block, 2015, timber, polystyrene, cement {…}

Print edition for LUCY SKAER Harlequin’s Ingots, 2012, Copper 24 parts, each 2 x 2 x 13.5 — 20 in / 5 x 5 x {…}

A3 colour print, made in an edition of 50, made to disappear from the gallery, 2015