An exhibition of new work by two artists, Scott Caruth and Alex Hetherington. Both work primarily with the moving image in this exhibition, reflecting in different ways on what remains unseen, invisible or deliberately hidden from view.

    Frames from a selection filmed at Glasgow Theatre and Arts Collective, Govan, Glasgow 31 October 2021 for artist and filmmaker Wendy Kirkup for {…}

Working title “Women’s Studies” with a commissioned text by Catherine Street     2-14 August 2021, Thanks to CCA, Alex Misick and Claude Chan.   Synopsis The Creative Lab {…}

  16mm screening event 22 October 2021, 8-10pm, No.35, Stirling   Film #1 Mask-hybrid•NMS • Edinburgh, 2021, black and white (‘Women’s Studies’ with Catherine Street {…}

  35mm color film stills, double exposed, addendum to the 16mm film SSS with Scott Baxter based on a story by Walter Lewd, 2021. Thank {…}

Documentation from a new film project’s research, funded by Creative Scotland, 2021-2022, the experience of the unseen listener, women’s studies, idle work

Lace collection at Burrell, Glasgow; flowers and mirrors at home, Bolex camera test: sister films, a drawing from the microscope, hidden similarities, 16mm film

16mm film by George Finlay Ramsay, camera: Alex Hetherington; camera and sound Luke Fowler. Periphery frames on 35mm, 2022, funded by Creative Scotland, Generator and {…}

Restored 16mm film, 2018-2021, colour and black and white.

I have a healing fluid in my left hand, (double exposed) 35mm and 16mm film, addendum to the project SSS, 2021, research stills   Title {…}

Snails on 5 and 10mm extension tubes 200T; 150mm and 10mm Pierre Angénieux lenses, ORWO Stirling 2022, 16mm film

Half-frame camera images, San Francisco, December 2021

  Preliminary work, untitled George Finlay Ramsay project, 16mm film, colour, filmed at Bamff, East Perthshire, August 2021

    Screen tests for a 16mm film based on a story by Walter Lewd in collaboration with Scott Baxter, 35mm stills, 2021   &nbsp {…}

The black and white flower seen in this scenario should be read as silver.  My contribution to artist Sam Williams’ A Soft Landing, commissioned by {…}

1 – 16mm black and white, silent, screen test, with Catherine Street and Rebecca Green, thanks to James Holcombe.     2. 16mm masking film {…}

400asa infrared, 2022

  16mm film, 2021, sequences filmed at Edinburgh College of Art, December 2020, on a Canon Scoopic and Beaulieu R16

    1. Camera film test, 35mm double exposed film, through two cameras for a 16mm film with Scott Baxter/Walter Lewd, 35mm colour film stills {…}

I have a fascination with what I call the twin eye, a collaborative eye, I think about LAMB and BEAR, by Nashashibi/Skaer or João Maria {…}