Alex Hetherington

Stills from ‘a possible spell for surrounding’, with anonymous

Screened at Twin-Eye, Studio Jamming, 18 Sept 2019, Cooper Gallery, Dundee. Colour reversal film, 16mm, 2 mins 45 seconds, silent.

Twin Eye

Studio Jamming | Cooper Gallery new season party 2019 Cooper Gallery, DJCAD Wednesday 18th September 2019, 5-8pm Twin Eye “Is it possible to find a {…}

Untitled, Cyclops/Notes for the drowned house

Black and white reversal/black and white negative double exposed with masking, 2019. Please stand by. beyond all else

‘Talking, counting, blinking, noting’, with Leah Millar

35mm production stills for a 16mm film, photography by Alex Hetherington and Leah Millar. (For the alarms and power cut: Atmospheric phenomena are expressions of universal sympathy/resemblances)

Untitled

Temporary arrangement in gold leaf, wax, candles, paper, gold letters, mirror, tape. Set for a 16mm film with masking and double-exposures.

Sleepwalker, stains, absence, garden elocution

35mm motion picture stock, 6 ISO, Catherine’s Garden, black sunflower

Sleepwalker, absentmindedness, stains, mirrors, gold.

35mm motion picture stock, double-exposed. Bad teeth, brittle nails, runner’s muscle, half-tone arms, foot with gold nail varnish, migraine, orange-appled.

‘Talking, counting, blinking, noting’, with Nathalie de Briey

Please stand by. 35mm motion picture stock, research image, lighthouse, NMS, Sept 2019

‘Talking, counting, blinking, noting’, with Emma Balkind

Main: Black and white 35mm research still, 2019

Untitled (set)

Set for a 16mm black and white with masking and double-exposures, 2019.

Three camera objections: RISK EVERYTHING and Mutate

Part of Talking Counting Blinking Noting, 16mm film as a collaborative action, 2019-2020. Please stand by. 500T, 16mm film, with masking, silent.

Sleepwalker, stains, both.

Double-exposed 35mm motion picture stock, Catherine’s garden, Mark’s ink

‘Talking, counting, blinking, noting’, with Helen McCrorie

Please stand by.

‘Talking, counting, blinking, noting’, 16mm film as a collaborative action

“Change the language of the object based on the origins of the object.” ‘Talking, counting, blinking, noting’* takes the form of a period of reflection on {…}

Papers, colors (Liverpool) (attached to) “Study for the Drowned House”

Metropolitan Cathedral, John Piper, Ugo Rondinone, paper flowers at Waiting, The Lisbon chandeliers

Sugar Hiccup

Masking test, black and white 16mm reversal, 2 mins 45 secs, approx., silent, 2019; test for a work with Wendy Kirkup as part of Talking {…}

Until, gay cruising, gold leaf, rose angle

35mm motion picture stock/half-frame, film tests.

‘Talking, counting, blinking, noting’, with Rowan Markson

Colour and black & white, 16mm, time tbc, 2019. ‘An old fashioned girl.’

Papers, colors (Liverpool) (attached to) Workers, Machines

Colour and black & white, silent, 5 mins 58 seconds, 2019

Museumsinsel, title from Beatrice Gibson’s I Hope I’m Loud When I’m Dead, found glass, crystals, Nefertiti, faces, dear ghost, dear ghost, ‘Pensées’, Blaise Pascal, void, shape of manoeuvre, doubt, doubt, doubt, CA Conrad

Alexander Hetherington