Red-scale 35mm, double exposed. Heavy light.

Documentation from a new film project’s research, funded by Creative Scotland, 2021-2022, the experience of the unseen listener, women’s studies, idle work

16mm film, dir. Hannan Jones, DP. Alex Hetherington, production still, 2021, for Little Pictures, GMAC   16mm film stills, 2021

4 black and white 35mm frames, Burrell Collection, images with prism, 2022

16mm film by George Finlay Ramsay, camera: Alex Hetherington; camera and sound Luke Fowler. Periphery frames on 35mm, 2022, funded by Creative Scotland, Generator and {…}

 Women’s Studies, Alex Hetherington & Catherine Street, 16mm film, color and B&W, 2020-2022 Women’s Studies Vol.2, Alex Hetherington & Catherine Street, 16mm film, color {…}

Snails on 5 and 10mm extension tubes 200T; 150mm and 10mm Pierre Angénieux lenses, ORWO Stirling 2022, 16mm film

    Frames from a selection filmed at Glasgow Theatre and Arts Collective, Govan, Glasgow 31 October 2021 for artist and filmmaker Wendy Kirkup for {…}

Half-frame camera images, San Francisco, December 2021

  Preliminary work, untitled George Finlay Ramsay project, 16mm film, colour, filmed at Bamff, East Perthshire, August 2021

16mm and 35mm rehearsal footage for the event Words for Appropriation and Dedication, CCA, 24 June 2022, with Catherine Street; footage will be used in a film, with Catherine Street and Luke Fowler, for CCA Annex, December 2022

Lace collection at Burrell, Glasgow; flowers and mirrors at home, Bolex camera test: sister films, a drawing from the microscope, hidden similarities, 16mm film

Camera assistance/supervision, 16mm film shoot, 4 August 2022, production stills. University of Stirling/Norman McClaren research and production project, September 2022

400asa infrared, 2022

  16mm film, 2021, sequences filmed at Edinburgh College of Art, December 2020, on a Canon Scoopic and Beaulieu R16

An exhibition of new work by two artists, Scott Caruth and Alex Hetherington. Both work primarily with the moving image in this exhibition, reflecting in different ways on what remains unseen, invisible or deliberately hidden from view.

1 – 16mm black and white, silent, screen test, with Catherine Street and Rebecca Green, thanks to James Holcombe.     2. 16mm masking film {…}

Half-frame 35mm 200T, motion picture stock, Sunday open day, Burrell Collection, Glasgow, 2022, incomplete display

Working title “Women’s Studies” with a commissioned text by Catherine Street     2-14 August 2021, Thanks to CCA, Alex Misick and Claude Chan.   Synopsis The Creative Lab {…}

  16mm screening event 22 October 2021, 8-10pm, No.35, Stirling   Film #1 Mask-hybrid•NMS • Edinburgh, 2021, black and white (‘Women’s Studies’ with Catherine Street {…}