Postponed until January 2021     7–20 December 2020. Thanks to CCA, Alex Misick and Claude Chan.   Synopsis The Creative Lab employs texts, references {…}

Navel Gazing, Kirsty Hendry   Collective Satellites Programme   24 Oct 2020 — 22 Nov 2020   Kirsty Hendry’s new film presents a defense of {…}

In collaboration with Wendy Kirkup. Talking, Counting, Blinking, Noting: 16mm film as a collaborative action, 2019-2020.   Bouquet 1, colour 16mm film, 3 minutes, silent {…}

35mm double exposed stills.

  ‘A film with folds’, 35mm and 16mm film stills with masking    

  16mm colour reversal, 2 mins 58 seconds, September 2020, silent, thank you to Kevin Timmins/Gauge Film, My Hand Outstretched to the Winged Distance and {…}

A is for Avant-Garde, Z is for Zero: Laura Mulvey & Peter Wollen     6 October 2020 – 31 October 2020     &nbsp {…}

Double-exposed 35mm 200T motion picture stock

This review was originally posted on A-N Magazine’s review page but as a protest against A-N Magazine’s uncritical coverage of the Murdoch-funded Freelands Foundation I {…}

16mm film, shot on location San Francisco, Rohnert Park and Cotati, California, 2019, silent, color and black and white from colour reversal, running time 2 {…}

    16mm, colour, 4 minutes 53 seconds, 2020, thank you to Kevin Timmins and James Holcombe.  

Published 22 October 2020, Collective, Collective Observations, Edinburgh.   “Why can’t we see the movement of the tides in a glass of water?”1   This {…}

Intermission, 16mm, colour, silent, 5 mins 39 secs; double exposed colour 35mm, colour 35mm reversal and 35mm 500T motion picture stock. Thank you to artist {…}

35mm black and white, research, 3 Women (1977), spider plant    

What do butterflies’ wings sacrifice to the air around them? The Hunterian Art Gallery 82 Hillhead Street University of Glasgow Glasgow G12 8QQ 16 November {…}

50D motion picture stock, some double exposed, processed and scanned by SilverPan Lab in Bristol, flowers that poison each other, enter radical cathartic poisons, remain {…}

Research project on a queer and trans hapticality. 16mm film 2020, funded in part, by a Bridging Bursary from Creative Scotland. Still originally from the {…}

16mm, black and white reversal, silent, 2 mins 54 seconds, shot at Simon and Sergio’s flat in Edinburgh, March 2020. Thanks to James Holcombe. Bitten {…}

Postponed, the work is appearing in an online version, 1-22 June 2020. Anxiety & Invocation at Experiments in Cinema, Albuquerque, New Mexico, 14-18 April 2020 {…}

Titles Anonymous Writes A Spell for the Camera/Michelle Hannah’s Arm/Marisa’s High, with Michelle Hannah, 2019 An imaginative substitution/Burdens, with Emma Balkind, 2019 The Right of {…}