1 – 16mm black and white, silent, screen test, with Catherine Street and Rebecca Green, thanks to James Holcombe.     2. 16mm masking film {…}

    Screen tests for a 16mm film based on a story by Walter Lewd in collaboration with Scott Baxter, 35mm stills, 2021   &nbsp {…}

The black and white flower seen in this scenario should be read as silver.  My contribution to artist Sam Williams’ A Soft Landing, commissioned by {…}

16mm film, 2021

Double exposed 35mm film, 2021

Working title “Women’s Studies” with a commissioned text by Catherine Street     2-14 August 2021, Thanks to CCA, Alex Misick and Claude Chan.   Synopsis The Creative Lab {…}

    1. Camera film test, 35mm double exposed film, through two cameras for a 16mm film with Scott Baxter/Walter Lewd, 35mm colour film stills {…}

I have a fascination with what I call the twin eye, a collaborative eye, I think about LAMB and BEAR, by Nashashibi/Skaer or João Maria {…}

Doubles/Doubts, 16mm film, colour, silent, 2 mins, 55 seconds, 2021   Reporting on the last of the expired 100T from the 400ft spooled down to {…}

35mm and 16mm stills for a film production by artist George Finlay Ramsay, shot on location at the wet lands at Bamff, Perthshire, and following {…}

  16mm screening event 22 October 2021, 8-10pm, No.35, Stirling   Film #1 Mask-hybrid•NMS • Edinburgh, 2021, black and white (‘Women’s Studies’ with Catherine Street {…}

  35mm color film stills, double exposed, addendum to the 16mm film SSS with Scott Baxter based on a story by Walter Lewd, 2021. Thank {…}

    16mm film, expired stock 1969, 1 mins 49 secs, 2021 (December 16, 2012), telepathic swans, thanks to James Holcombe.

Reporting on No.3 roll of 400ft of expired 100T encounters film repair and film mending, another mended reference. A slice, or break, happened in the {…}

A text on moving image artist Savinder Bual for the publication 9 Notes, PEER, London, October 2021, with funding from Arts Council of England

Restored 16mm film, 2018-2021, colour and black and white.

I have a healing fluid in my left hand, (double exposed) 35mm and 16mm film, addendum to the project SSS, 2021, research stills   Title {…}

The cottage, 16mm film, 9 mins, 04 seconds, 2021, colour, silent.   Frames from a 16mm film commission for the artist Cath Whippey, Glasgow, February {…}

Staying saturated for the present time in one colour, two 16mm films, 48fps and 24fps, colour, silent, 2021

Fiasco and Sonder, 2020-2021, 16mm film, 2 mins, 37 secs, silent.   Reporting on 93ft of film, expired 100T (spooled off from a roll of {…}