Karen Cunningham, Poly, Saturday 25 – Tuesday 28 August 2018.   Muirhead Terrace, now Newmarket, which sits at the very margins of the town, is {…}

16mm colour film stills, 2018  

…. far from the simple edge.

“This text reflects on a conversation with the artist in his studio with its itinerant assembly of materials and ideas. The text attempts, through encounters {…}

Please stand by. With thanks to Bea Haut at Film in Process, London. 16mm black and white film.

….to Quieten our Unshieldedness, (wherever it has been abandoned by clarity), and “what use to a being who lives under the sun are jewels of {…}

Review for This is Tomorrow, June 29 2018. With thanks to Wendy Kirkup. Still: WORDS, PLANETS, Laida Lertxundi, 2018, courtesy of the artist and LUX, London {…}

FRACTO is an annual Experimental Film Encounter which will be held at ACUD Cinema & Studio Berlin.

Featured image stills from 17 March 2018, TYVM residency, ‘You do, do you?’ at The Modern Institute, Glasgow. Studio shoot stills, 27 March 2018, Glasgow {…}

Dedicated to John Calcutt.  

  Chris Marker said that memory, remembering and forgetting and its acts of recollections and vanishings, are intertwined: ‘I will have spent my life trying {…}

Jonathan Owen • Karen Cunningham • Jane Topping

White flowers against shadow, to test the highs and lows, and film at the Museum of Scotland with a view to filming delicate things in very low light, and a few things, like marble white busts, sewing on cotton and chandelier parts, in very bright light.

Silent, experimental 16mm film, photographed June 2018

  16mm film; 35mm stills.

Review for ‘This is Tomorrow’, first published 27 February 2018   American Glasgow-based artist Margaret Salmon’s filmic, atmospheric, and carefully rendered installation, sensitive to the {…}