Review for This is Tomorrow, July 2018. Please stand by.

“This text reflects on a conversation with the artist in his studio with its itinerant assembly of materials and ideas. The text attempts, through encounters {…}

Review for ‘This is Tomorrow’, first published 27 February 2018   American Glasgow-based artist Margaret Salmon’s filmic, atmospheric, and carefully rendered installation, sensitive to the {…}

“The film will be at silent speed – so 4 minutes 26 seconds”  

Eraser Drawing (Parade), 2018, partially erased book page, 23 x 28cm Eraser Drawing (Fellini), 2018, partially erased book page, 29 x 42cm Eraser Drawing (The {…}

Please stand by. Supported by LUX.

Ellipses of the Afternoon, Orchids A set of 16mm film stills from Ellipses of the Afternoon and Orchids, works on paper,  by Elín Jakobsdóttir and Catherine {…}

Stills from 16mm colour film, transferred to digital, 2018  

Please stand by.

FRACTO is an annual Experimental Film Encounter which will be held at ACUD Cinema & Studio Berlin.

Featured image stills from 17 March 2018, TYVM residency, ‘You do, do you?’ at The Modern Institute, Glasgow. Studio shoot stills, 27 March 2018, Glasgow {…}

21 April 2018, BALTIC, Centre for Contemporary Art, Gateshead

    utter, utter, utter   utter, utter, utter is a newly constructed collaborative performance by artists Alex Hetherington and Lyndsay Mann that collages appropriated {…}

White flowers against shadow, to test the highs and lows, and film at the Museum of Scotland with a view to filming delicate things in very low light, and a few things, like marble white busts, sewing on cotton and chandelier parts, in very bright light.

Film stills. 16mm black and white transferred to digital, November 2017, 3 mins 42 secs, (testing a Canon Scoopic)