Please stand by.

White flowers against shadow, to test the highs and lows, and film at the Museum of Scotland with a view to filming delicate things in very low light, and a few things, like marble white busts, sewing on cotton and chandelier parts, in very bright light.

Film stills. 16mm black and white transferred to digital, November 2017, 3 mins 42 secs, (testing a Canon Scoopic)  

Please stand by.

Review for ‘This is Tomorrow’, first published 27 February 2018   American Glasgow-based artist Margaret Salmon’s filmic, atmospheric, and carefully rendered installation, sensitive to the {…}

“The film will be at silent speed – so 4 minutes 26 seconds”  

Grid for a 16mm film; 35mm colour and black-and-white stills

“This text reflects on a conversation with the artist in his studio with its itinerant assembly of materials and ideas. The text attempts, through encounters {…}

Ellipses of the Afternoon, Orchids A set of 16mm film stills from Ellipses of the Afternoon and Orchids, works on paper,  by Elín Jakobsdóttir and Catherine {…}

Stills from 16mm colour film, transferred to digital, 2018  

“Press the eject and give me the tape” Saturday 17 February, 2.00 – 8.00pm With contributions from Anne-Marie Copestake, Kate Davis, Michelle Hannah, Alex Hetherington/Lyndsay Mann {…}

FRACTO is an annual Experimental Film Encounter which will be held at ACUD Cinema & Studio Berlin.

Featured image stills from 17 March 2018, TYVM residency, ‘You do, do you?’ at The Modern Institute, Glasgow. Studio shoot stills, 27 March 2018, Glasgow {…}

21 April 2018, BALTIC, Centre for Contemporary Art, Gateshead

    utter, utter, utter   utter, utter, utter is a newly constructed collaborative performance by artists Alex Hetherington and Lyndsay Mann that collages appropriated {…}

Intoxicating Charismatic Narrator : Terms and quotes repeatedly written, consciously and unconsciously, in pencil on reams of foolscap on the artist Tim Rollins, some are written and some are drawn