Reporting on No.3 roll of 400ft of expired 100T encounters film repair and film mending, another mended reference. A slice, or break, happened in the {…}

Reporting on 93ft of film, expired 100T (spooled off from a roll of 400ft in the darkroom (kitchen, black-out fabric, duct tape, prayers) at my flat {…}

Holly McLean If you get the knees right the rest should follow 5 December 2020 — 31 January 2021 Collective Satellites Programme   Holly McLean’s If {…}

Postponed until January 2021     7–20 December 2020. Thanks to CCA, Alex Misick and Claude Chan.   Synopsis The Creative Lab employs texts, references {…}

Navel Gazing, Kirsty Hendry   Collective Satellites Programme   24 Oct 2020 — 22 Nov 2020   Kirsty Hendry’s new film presents a defense of {…}

Staying saturated for the present time in one colour, two 16mm films, 48fps and 24fps, colour, silent, 2021

35mm and 16mm stills for a film production by artist George Finlay Ramsay, shot on location at the wet lands at Bamff, Perthshire, and following {…}

Florilegium: A gathering of Flowers  16 October  –  13 December 2020 Inverleith House RGBE Inverleith Row, Edinburgh EH3 5LR     Florilegium: A gathering of {…}

  16mm colour reversal, 2 mins 58 seconds, September 2020, silent, thank you to Kevin Timmins/Gauge Film, My Hand Outstretched to the Winged Distance and {…}

A is for Avant-Garde, Z is for Zero: Laura Mulvey & Peter Wollen     6 October 2020 – 31 October 2020     &nbsp {…}

Double exposed 35mm film, 2021

      16mm film, 2019, colour, silent, 2 mins 59 seconds

16mm film with Wendy Kirkup, 2020, colour, 2 mins 53 seconds  

    16mm, colour, 4 minutes 53 seconds, 2020, thank you to Kevin Timmins and James Holcombe.  

Published 22 October 2020, Collective, Collective Observations, Edinburgh.   “Why can’t we see the movement of the tides in a glass of water?”1   This {…}

Coming soon. Writing on moving image artist Savinder Bual. 

      Black and white infrared film, 35mm, 2020 16mm colour film, 2020                    

  Thank you to Gauge Film for scan, 16mm camera test, 2020, Stirling, 2 mins, 52 secs.

50D motion picture stock, some double exposed, processed and scanned by SilverPan Lab in Bristol, flowers that poison each other, enter radical cathartic poisons, remain {…}

Research project on a queer and trans hapticality. 16mm film 2020, funded in part, by a Bridging Bursary from Creative Scotland. Still originally from the {…}