Ellipses of the Afternoon, Orchids A set of 16mm film stills from Ellipses of the Afternoon and Orchids, works on paper,  by Elín Jakobsdóttir and Catherine {…}

Stills from 16mm colour film, transferred to digital, 2018  

“Press the eject and give me the tape” Saturday 17 February, 2.00 – 8.00pm With contributions from Anne-Marie Copestake, Kate Davis, Michelle Hannah, Alex Hetherington/Lyndsay Mann {…}

Orchids, Catherine Street, installation views, watercolour on paper, framed text, fluorescent lights, 35 mm film transferred to digital, with thanks to Catherine Street, Oliver Mezger {…}

Featured image stills from 17 March 2018, TYVM residency, ‘You do, do you?’ at The Modern Institute, Glasgow. Studio shoot stills, 27 March 2018, Glasgow {…}

21 April 2018, BALTIC, Centre for Contemporary Art, Gateshead

    utter, utter, utter   utter, utter, utter is a newly constructed collaborative performance by artists Alex Hetherington and Lyndsay Mann that collages appropriated {…}

Intoxicating Charismatic Narrator : Terms and quotes repeatedly written, consciously and unconsciously, in pencil on reams of foolscap on the artist Tim Rollins, some are written and some are drawn

Orchids, Catherine Street, installation views, watercolour on paper, framed text, fluorescent lights, 35 mm film transferred to digital

Film stills. 16mm black and white transferred to digital, November 2017, 3 mins 42 secs, (testing a Canon Scoopic)  

    Anne Colvin, Anne-Marie Copestake, Karen Cunningham, Kate Davis, Katy Dove, Kathryn Elkin, Sarah Forrest, Allison Gibbs, Michelle Hannah, Elín Jakobsdottir, Mairi Lafferty, Adam {…}

Saturday 9 December – Tuesday 12 December 2017 Image courtesy of Catherine Street, watercolour on paper, 2017   I am beginning to think of the {…}

Review for ‘This is Tomorrow’, first published 27 February 2018   American Glasgow-based artist Margaret Salmon’s filmic, atmospheric, and carefully rendered installation, sensitive to the {…}

“The film will be at silent speed – so 4 minutes 26 seconds”  

Grid for a 16mm film; 35mm colour and black-and-white stills

An inclined circle is ill suited to marking time efficiently. Conversely, the circular tyranny of around clock face is anathema to the plotting of contemplative {…}

35mm colour film transferred to digital, 2017