Say Everywhere What I Have Said. The most important exchange is with the unknown*. 16mm 24fps, single colour roll, 50D, with thanks to Dan Shay {…}

San Francisco Botanic Gardens, Robert Ashley, The feeling of the idea of silk scarves in the air, Petaluma, Marin Civic Center, image of Jonathan Jackson (Arthur Jafa), gardens (intrusions), California colors, Now Eleanor’s Idea, looking for something interesting, now turn left still on the inside still, looking for something interesting now turn left, waiting for the sunshine, 25, 26, 27, 28, Anne Colvin reunion, magnetic road, Joan of Arc, red, red, institutional disguises, flowers, brooches. Rainbow flag, red flowers, glitter, hairy man, sleeping man with dog, flowers, Anne Colvin, gay cruise club, a scene of desperation and cruelty, an incorrect method, Omar Blondin Diop, The Other Country

“the yellow film”, bleached frames, mirrors, yellow flowers, pink gloves, yellow lights, gold spinning, candles, performance artist Cath Whippey in excesses of colored clothes.

Developing proposal.

    these were the things that made the step familiar    Image: Maya Deren, Witch’s Cradle Outtakes, 1943. Courtesy of LUX, London     &nbsp {…}

Your Willow Skin. A proposition on aging, the page and the lens, making a live proposal.   It starts with saying: ‘I miss Adrian Howells {…}

Museumsinsel, title from Beatrice Gibson’s I Hope I’m Loud When I’m Dead, found glass, crystals, Nefertiti, faces, dear ghost, dear ghost, ‘Pensées’, Blaise Pascal, void, shape of manoeuvre, doubt, doubt, doubt, CA Conrad

Last song for a waterbaby, Satellites Programme, 23 March 2019 — 5 May 2019, Collective, Edinburgh Image: Katie Shannon, ‘Last song for a waterbaby’, film still, 2019 {…}

January 31st 2019, (performative) presentation or lecture, 3.30pm, Fine Art Studio, Institute of the Arts, Carlisle. With thanks to Jane Topping, Poppy Kathleen and Steve Ogden {…}

The final No.35 project, with artist Jane Topping, publication and exhibition 8 December 2018   “She Was A Visitor”   (It started off by remembering {…}

Short-end reversal film, 1/40, 35mm half-frame reversal film, and 100ft Double-X, made after Julia Parks’ Edinburgh workshop, 16-17 March 2019, with thanks to Julia, Oliver {…}

Winter flowers, Botanics, Edinburgh, female portraits, admirer of Walter Scott, Portobello, Christine Borland, I say nothing, stolen artifacts, butterflies, paper weights, glass, marble jewelry, snail shells, sparklers, papiergewichten, glas, marmeren juwelen, slakenschelpen, vlinders, winterbloemen. De pagina is een stem (voice).

Image courtesy of Cooper Gallery/AMC,  A love, film still, 2019   Anne-Marie Copestake ‘Looking in either direction the whole street was filled with people, some singing {…}

Originally published This is Tomorrow, 11 February 2019   With thanks to Peter Amoore and Cooper Gallery.   Visual artist and filmmaker Phil Collins’ journalistic {…}

I am screening a film experiment made after Rose Lowder’s masterclass and reading Flaubert’s Bouvard and Pécuchet after seeing some films by João Maria Gusmão {…}

2019, 16fps, silent, Orwo, 90ft, Double-X, 100ft, print, and Tri-X reversal, 60ft (double exposed). Film with paresthesia.    Optical illusions, retina debris and hallucinations, migraine {…}

Glass candelabra, finding the shooting wall, screen tests and deliberate outtakes of Richard Taylor and Scott Baxter at the CCA, white candles, gold leaf, Lift Your Skinny Fists Like Antennas to Heaven

16 and 17 March 2019, organized by Edinburgh Artists’ Moving Image Critical Forum/Oliver Mezger

Affinity and Allusion Collective, City Observatory, 38 Calton Hill, Edinburgh, EH7 5AA 24 November 2018 – 10 February 2019   James N Hutchinson, Dineo Seshee Bopape, Klaus {…}

For Carol Rhodes   35mm half-frame camera stills