A review written in stages, as notes, using the structure of an alphabet to describe an exhibition in suspension. Written through a brittle attention. Raw writing {…}

16mm film, shot on location San Francisco, Rohnert Park and Cotati, California, 2019, silent, color and black and white from colour reversal, running time 2 {…}

Mysterious bulbs and botched isms. Filmed Edinburgh 5 December 2019.  

Laboratory processing accidents from stills for a location shoot with artist filmmaker Helen McCrorie. Images of the Faichney memorial at Innerpeffray Library. Image noise from {…}

“Change the language of the object based on the origins of the object.” ‘Talking, counting, blinking, noting’* takes the form of a period of reflection on {…}

35mm black and white, research, 3 Women (1977), spider plant    

What do butterflies’ wings sacrifice to the air around them? The Hunterian Art Gallery 82 Hillhead Street University of Glasgow Glasgow G12 8QQ 16 November {…}

Still life with flowers in a glass vase on a stone leaf. Bouquet with ao day flower, rose (white, pink), wheat, cow parsley, carnation (red-white), trosnarcis, sleeping bulb, tulip (red-white), sweet pea, dog rose, honeysuckle, lapflower, Gelderland rose, anemone (red) and an anemone on the plinth (red); furthermore an atalanta butterfly, a caterpillar of psi butterfly, a span caterpillar, beetles, ants and other insects, spiders and a garden snail.

Colour and black & white, 16mm, time tbc, 2019. ‘An old fashioned girl.’  

Masking test, black and white 16mm reversal, silent, 2 min 58 seconds, 2019; test for a work with Wendy Kirkup as part of Talking Counting {…}

Postponed, the work may appear in an online version in May/June 2020. Anxiety & Invocation at Experiments in Cinema, Albuquerque, New Mexico, 14-18 April 2020 {…}

7–20 December 2020. Thanks to CCA, Alex Misick and Claude Chan.   Synopsis The Creative Lab uses texts, references and incidents from Haytham el-Wardany (The {…}

Your Name Which Isn’t Yours and Seven for a secret, Never to be told. Filmed on location, Glasgow, 24 October 2019, single colour 16mm roll and stills {…}

35mm production stills for a 16mm film, photography by Alex Hetherington and Leah Millar. (For the alarms and power cut: Atmospheric phenomena are expressions of universal sympathy/resemblances)

Studio Jamming | Cooper Gallery new season party 2019 Cooper Gallery, DJCAD Wednesday 18th September 2019, 5-8pm Twin Eye “Is it possible to find a {…}

  ‘A film with folds’, 35mm and 16mm film stills with masking    

Titles Anonymous Writes A Spell for the Camera/Michelle Hannah’s Arm/Marisa’s High, with Michelle Hannah, 2019 An imaginative substitution/Burdens, with Emma Balkind, 2019 The Right of {…}

    Colour film, 1 min, 52 secs, St Abbs’ Lighthouse     Stained and torn frames         35mm motion picture stock {…}

Main: Black and white 35mm research still, 2019      

Double exposed 35mm motion picture stock (500T)