Alex Hetherington

Untitled, Cyclops/Notes for the drowned house

Black and white reversal/black and white negative double exposed with masking, 2019. Please stand by. beyond all else

‘Talking, counting, blinking, noting’, with Nathalie de Briey

Please stand by.

‘Talking, counting, blinking, noting’, with Emma Balkind

Please stand by. Black and white 35mm research still, 2019

Untitled (set)

Set for a 16mm black and white with masking and double-exposures, 2019.

(No title), the sibilant operator, satin operator & heaven dub, mineral memory

Garlands, Hadrian, lighthouses, skulls, minerals, crystals, weights, gold, skeleton, chandeliers, etched glass, woven hair, glance.

Twin Eye

Studio Jamming | Cooper Gallery new season party 2019 Cooper Gallery, DJCAD Wednesday 18th September 2019, 5-8pm Twin Eye “Is it possible to find a {…}

‘Talking, counting, blinking, noting’, with Helen McCrorie

Please stand by.

‘Talking, counting, blinking, noting’, 16mm film as a collaborative action

“Change the language of the object based on the origins of the object.” ‘Talking, counting, blinking, noting’* takes the form of a period of reflection on {…}

Papers, colors (Liverpool) (attached to) “Study for the Drowned House”

Metropolitan Cathedral, John Piper, Ugo Rondinone, paper flowers at Waiting, The Lisbon chandeliers

Fortuna

The most important exchange is with the unknown*. Film B roll: 16mm 24fps, 1 min 26 secs, 50D, with thanks to Dan Shay. Black and {…}

Sleepwalker, absentmindedness, stains, mirrors, gold.

35mm motion picture stock, double-exposed. Bad teeth, brittle nails, runner’s muscle, half-tone arms, foot with gold nail varnish, migraine, orange-appled.

‘Talking, counting, blinking, noting’, with Rowan Markson

Colour and black & white, 16mm, time tbc, 2019. ‘An old fashioned girl.’

Papers, colors (Liverpool) (attached to) Workers, Machines

Colour and black & white, silent, 5 mins 58 seconds, 2019

Museumsinsel, title from Beatrice Gibson’s I Hope I’m Loud When I’m Dead, found glass, crystals, Nefertiti, faces, dear ghost, dear ghost, ‘Pensées’, Blaise Pascal, void, shape of manoeuvre, doubt, doubt, doubt, CA Conrad

Fortuna

The most important exchange is with the unknown. Film A roll, May 16 2019. 2 mins 43 secs. Thanks to Gauge Films. charm*charm*charm* charm*charm*charm {…}

Sleepwalker, stains, both.

Double-exposed 35mm motion picture stock, Catherine’s garden, Mark’s ink

‘Talking, counting, blinking, noting’, with Leah Millar

35mm production stills for a 16mm film, photography by Alex Hetherington and Leah Millar. (For the alarms and power cut: Atmospheric phenomena are expressions of universal sympathy/resemblances)