Ritual Bombardment In The Charnel House of Power I have been having an (episodic) conversation about artist Nina Edge’s work for over thirteen years {…}
Real Life, the Private and the Public, On Nina Edge Liverpool-based artist Nina Edge’s life is her work, in a way that could in {…}
‘a public enquiry into the artist as the subject, the artist on public view’ It begins with a reunion. And an invitation to {…}
Excerpt from the review of The Fifth Floor: Ideas Taking Space Tate Liverpool, Liverpool 16 December 2008 – 1 February 2009 “Nina Edge assembles {…}
A Side. B Side. Double AA Side. On Fabric of Protest, Terra/Nina Edge and Turner Prize 2007. Alex Hetherington Site and Tate Liverpool, Albert {…}