Allison Gibbs may have taught me that an analysis of film might make me a psychic… Images shot on red-scale (so grayscale but with red) film 16-32-50 iso double exposed too, miscalculated obviously by me and then misinterpreted for the scanning at the lab, so a comparison test but one frame I really liked that was saved from the double exposed rota. On the lucky *blessed* Zenit. And got lucky with the light on a couple of rolls of 50D that I acquired (by accident) too for the CCA film, I hope to share these frames soon. Heavy light. Delicate shadows through tender membranes. Blue and yellow fingers