Creative Lab, CCA, Glasgow, as yet untitled 16mm film, 2020
Postponed until January 2021
7–20 December 2020. Thanks to CCA, Alex Misick and Claude Chan.
The Creative Lab employs texts, references and incidents including works by Haytham el-Wardany (The Book of Sleep and How to Disappear), extracts from the opera Now Eleanor’s Idea by the experimental American composer Robert Ashley and characters appearing in 16mm films by Catherine Sullivan (Five Economies and The Chittendens) and notes from Trap Door: Trans Cultural Production and the Politics of Visibility collectively used to describe and conjure contemporary images of the complexly liminal figure of Tiresias, a blind seer who was transformed into a woman for seven years and who ‘saw’ visions in smoke, the movement of water and the behaviour of animals; alongside this the Lab will explore thoughts on the absences and interruptions of sleep and to blind actions associated with shooting 16mm film through the use of masking, mattes, prisms, mirrors, double exposures and different camera gates.
Collage edge: reading about Robert Beavers’ films My Hand Outstretched to the Winged Distance and Sightless Measure, reading these as possible actions, positioning these titles alongside my work as I develop my practice in 16mm. Du sang, de la volupté et de la mort. Reading too on Markopolous’s Himself as Herself, an exploration of androgyny loosely based on Balzac’s Séraphîta and Daniel Paul Schreber, Memoirs of My Nervous Illness, (1903)
Rebecca Green, Tiresias
Catherine Street, Tiresias
Kirstin Halliday, Tiresias
Camera assistant, Wendy Kirkup
Camera assistant, Dan Shay
Camera and sound, Alex Hetherington