A2 edition of a short-lived collaborative zine project Neon John, produced in Glasgow, Scotland and San Francisco, California, 2009-2010, revived in 2012 and 2016

Ritual Bombardment In The Charnel House of Power   I have been having an (episodic) conversation about artist Nina Edge’s work for over thirteen years {…}

Real Life, the Private and the Public, On Nina Edge   Liverpool-based artist Nina Edge’s life is her work, in a way that could in {…}

Heavy Influence, esw aka Nepotism Workshop/Triangle of Need/Creative Lab, CCA/A Million Lies; Once & Only Revealed After Death, Alt-W, 2009

‘a public enquiry into the artist as the subject, the artist on public view’   It begins with a reunion.   And an invitation to {…}

Narrative is a fraudulent extinct melodramatic species

Excerpt from the review of The Fifth Floor: Ideas Taking Space Tate Liverpool, Liverpool 16 December 2008 – 1 February 2009   “Nina Edge assembles {…}

Los Angeles-based video artist Catherine Sullivan’s work could easily be described in terms of radicalising theatre companies like Sheffield’s Forced Entertainment, Chicago’s Goat Island or {…}

A Side. B Side. Double AA Side. On Fabric of Protest, Terra/Nina Edge and Turner Prize 2007. Alex Hetherington   Site and Tate Liverpool, Albert {…}