Last song for a waterbaby, Satellites Programme, 23 March 2019 — 5 May 2019, Collective, Edinburgh Image: Katie Shannon, ‘Last song for a waterbaby’, film still, 2019 {…}

Developing proposal.

The final No.35 project, with artist Jane Topping, publication and exhibition 8 December 2018   “She Was A Visitor”   (It started off by remembering {…}

Filmed on location, Market Gallery, Glasgow, 9 October 2018 Camera assistant, Alex Withey * A Palindrome   16mm film print, black and white, silent, 16fps {…}

16mm film, six minutes, colour, silent, 2018, flowers in classification of white and colour, cuts (Rose Lowder), tape, gold leaf, gold letters, Kraftwerk, cardboard, glitter, ties, mirrors, prints, California midnight roses, black fabric, plastic bags with butterfly print.

    these were the things that made the step familiar    Image: Maya Deren, Witch’s Cradle Outtakes, 1943. Courtesy of LUX, London     &nbsp {…}

January 31st 2019, (performative) presentation or lecture, 3.30pm, Fine Art Studio, Institute of the Arts, Carlisle. With thanks to Jane Topping, Poppy Kathleen and Steve Ogden {…}

I am screening a film experiment made after Rose Lowder’s masterclass and reading Flaubert’s Bouvard and Pécuchet after seeing some films by João Maria Gusmão {…}

Camera test, (The Sea, At Land, Beaulieu camera test), NMS 5 October 2018. A (Carol Bove) Display  

The museum is the object with no movement. Jewelry, optical illusions, figurines, glass, chandeliers, skulls, reflections, out of focus, severed focus, sculptures, Jesus, silhouettes, cameos, escalators, dishes, silver, figurines, embroidery, Madame Victoire by Louis-Claude Vasse. (Non-reflex Bc)

Image courtesy of Cooper Gallery/AMC,  A love, film still, 2019   Anne-Marie Copestake ‘Looking in either direction the whole street was filled with people, some singing {…}

Originally published This is Tomorrow, 11 February 2019   With thanks to Peter Amoore and Cooper Gallery.   Visual artist and filmmaker Phil Collins’ journalistic {…}

For Carol Rhodes   35mm half-frame camera stills

16mm colour film, August 2018, Narda Azaria Dalgleish, Hawick. With thanks to Robert McDougall. Reference, Robert Ashley, Hidden Similarities, 2007  

Père Lachaise, Keith Korbel, La Tour Eiffel, Musee d’Orsay, Sarah Bernhardt, Art Nouveau, art thieves, chandeliers, horses, drying clothes, fountains, street names, Maya Surduts, window garden, antique glass, two men laughing, Robert Ashley fountain

16 and 17 March 2019, organized by Edinburgh Artists’ Moving Image Critical Forum/Oliver Mezger

Affinity and Allusion Collective, City Observatory, 38 Calton Hill, Edinburgh, EH7 5AA 24 November 2018 – 10 February 2019   James N Hutchinson, Dineo Seshee Bopape, Klaus {…}

Camera assistant for new Jenny Hogarth work. Please stand by.

Flowers (multiple), pewter hands, Helen Duncan, witchcraft trial, fake medium, cheesecloth ectoplasm, Chinese wallpaper, flowers on display, Graham Mack and Catherine Whippey, white marble busts, Margaret (martyr), chandeliers, conservation room, puppets, lamps, wasps, Elisabeth and Mary, individual frames, roses, sunflowers, gestures, addicts, Yvonnes, university art collection, ignored public art sculptures, Bouvard et Pécuchet, verre églomisé…

From a performative screening and reading event Market Gallery, Glasgow 21 July 2018, with thanks to Catalina Barroso-Luque, Jennifer Clews, Rowan Markson, Alex Millar and Tako {…}