Doubles/Doubts, 16mm film, colour, silent, 2 mins, 55 seconds, 2021 Reporting on the last of the expired 100T from the 400ft spooled down to {…}
35mm and 16mm stills for a film production by artist George Finlay Ramsay, shot on location at the wet lands at Bamff, Perthshire, and following {…}
Black and white infrared film, 35mm, 2020 16mm colour film, 2020
Thank you to Gauge Film for scan, 16mm camera test, 2020, Stirling, 2 mins, 52 secs.
Bannockburn House, 3 minutes, silent, black and white reversal, 2020. Thank you to Ross Caldwell. Accompanies a camera and film test shot on location in {…}
Reporting on No.3 roll of 400ft of expired 100T encounters film repair and film mending, another mended reference. A slice, or break, happened in the {…}
A text on moving image artist Savinder Bual for the publication 9 Notes, PEER, London, October 2021, with funding from Arts Council of England
Holly McLean If you get the knees right the rest should follow 5 December 2020 — 31 January 2021 Collective Satellites Programme Holly McLean’s If {…}
16mm colour reversal, 2 mins 58 seconds, September 2020, silent, thank you to Kevin Timmins/Gauge Film, My Hand Outstretched to the Winged Distance and {…}
Navel Gazing, Kirsty Hendry Collective Satellites Programme 24 Oct 2020 — 22 Nov 2020 Kirsty Hendry’s new film presents a defense of {…}
Staying saturated for the present time in one colour, two 16mm films, 48fps and 24fps, colour, silent, 2021
Fiasco and Sonder, 2020-2021, 16mm film, 2 mins, 37 secs, silent. Reporting on 93ft of film, expired 100T (spooled off from a roll of {…}
Florilegium: A gathering of Flowers 16 October – 13 December 2020 Inverleith House RGBE Inverleith Row, Edinburgh EH3 5LR Florilegium: A gathering of {…}
16mm, colour, 4 minutes 53 seconds, 2020, thank you to Kevin Timmins and James Holcombe.
A is for Avant-Garde, Z is for Zero: Laura Mulvey & Peter Wollen 6 October 2020 – 31 October 2020   {…}
Double exposed 35mm film, 2021
16mm film, 2019, colour, silent, 2 mins 59 seconds
16mm film with Wendy Kirkup, 2020, colour, 2 mins 53 seconds
50D motion picture stock, some double exposed, processed and scanned by SilverPan Lab in Bristol, flowers that poison each other, enter radical cathartic poisons, remain {…}
Published 22 October 2020, Collective, Collective Observations, Edinburgh. “Why can’t we see the movement of the tides in a glass of water?”1 This {…}