Anonymiser Particular, Richard Taylor, 22-24 September 2017, performance and audio and slide installation with Glasgow-based visual artist Richard Taylor   My thanks to Richard Taylor {…}

(fabrics from Murder on the Orient Express, 1974)

Stills from 16mm colour film, transferred to digital, 2018  

Utter, utter, utter is a newly constructed collaborative performance by artists Alex Hetherington and Lyndsay Mann that collages appropriated and recombined texts on contemporaneity and {…}

The project ENTHUSIASM with Edinburgh-based artist Andrew Gannon is the first in a series of proposed exhibitions set in the rooms of my new flat {…}

“This text reflects on a conversation with the artist in his studio with its itinerant assembly of materials and ideas. The text attempts, through encounters {…}

21 April 2018, BALTIC, Centre for Contemporary Art, Gateshead

Film stills. 16mm black and white transferred to digital, November 2017, 3 mins 42 secs, (testing a Canon Scoopic)  

“Press the eject and give me the tape” Saturday 17 February, 2.00 – 8.00pm With contributions from Anne-Marie Copestake, Kate Davis, Michelle Hannah, Alex Hetherington/Lyndsay Mann {…}

Please stand by.

FRACTO is an annual Experimental Film Encounter which will be held at ACUD Cinema & Studio Berlin.

Grid for a 16mm film; 35mm colour and black-and-white stills

    Anne Colvin, Anne-Marie Copestake, Karen Cunningham, Kate Davis, Katy Dove, Kathryn Elkin, Sarah Forrest, Allison Gibbs, Michelle Hannah, Elín Jakobsdottir, Mairi Lafferty, Adam {…}

Jonathan Owen • Karen Cunningham • Jane Topping

“The film will be at silent speed – so 4 minutes 26 seconds”  

Intoxicating Charismatic Narrator : Terms and quotes repeatedly written, consciously and unconsciously, in pencil on reams of foolscap on the artist Tim Rollins, some are written and some are drawn

‘Ulay: So you see me’, 27 October – 16 December 2017, Preview: Thursday 26 October, 5.30 – 7.30pm, International Symposium: Saturday 2 December, 2.00 – 6.00pm, Cooper Gallery {…}