Originally published at This is Tomorrow, June 2017   Image: Tschabalala Self, Tramway 2017   American artist Tshabalala Self whose work is concerned with the iconographic {…}

Stills from a 16mm test film, studio camera Alex Hetherington, Rhubaba camera Oliver Mezger

Experimental domestic exhibition projects, 2017-2018

C-type, 24” x 20” print for a reading and performance group

With texts on films, screenings and talks by Emma Finn, Derek Jarman, SUPERLUX, GLITCH Film Festival, Edward Thomasson, Raju Rage, et al, edition of 50 {…}

Image courtesy Talbot Rice Gallery, Credit: Stirling University Originally published in a different form at This is Tomorrow, 25 September 2017   Stephen Sutcliffe’s summer {…}

Performances of Andrew Gannon’s Work with Stone, 2016, esw and Waverley station, 35mm slides transferred to digital, 2 of 80

She closed her eyes and walked, hands outstretched until she came to a piece of furniture. Between her and the objects there was something, but {…}

A3 colour print on 115gms Affiche paper, edition of 50, published 2017

C-type print, 2016

Originally published at This is Tomorrow, 5 May 2017, Black Audio Film Collective, Twilight City, Dir. Reece Auguiste, 52mins, loop, 1989. Photography by Alan Dimmick &nbsp {…}

Performances of Andrew Gannon’s Work with Stone, 2016, Waverley station, 35mm slides transferred to digital, 2 of 80

Originally published at This is Tomorrow, 3 February 2017   Alex Hetherington’s research trip to Shanghai was funded by an Open Project award from Creative {…}

Photograph: Alex Hetherington, Argyle Street railway station   Follies are at different times the definition of ugliness, objects of unsuitability, modes of flamboyance and whim {…}

Originally published at This is Tomorrow, 18 November 2o16, image courtesy of Talbot Rice Gallery   Glasgow-based artist Rob Kennedy’s new installation for Talbot Rice {…}

16mm colour film, carousel of 80 colour slides, documenting four one-hour durational performances devised by Andrew Gannon, Edinburgh, various locations, 2016; shot at Rhubaba Gallery {…}

Published for DISPATCH, January 2017, Linder, The Ultimate Form, 2013, Installation view Cooper Gallery, Chapter Two, Of Other Spaces: Where does gesture become event? 2017. Photo by {…}

Installation shots from FFWD at Shanghai Minsheng Museum of Art, with screenings at Pure Movement, K11 Art Village, Wuhan and The Hallucinating Edge, Red Brick {…}

2017, “Gold on affiche paper, an attempt to present the evolution and dispersal of an image, from an actor gilding his own hand to a {…}

Screening event at Rhubaba Gallery, Edinburgh   Programme: Rachel Reupke, Letter of Complaint HD video, United Kingdom, 2015 9 minutes 54 seconds, Colour/Black and white {…}