‘a public enquiry into the artist as the subject, the artist on public view’   It begins with a reunion.   And an invitation to {…}

Holly McLean If you get the knees right the rest should follow 5 December 2020 — 31 January 2021 Collective Satellites Programme   Holly McLean’s If {…}

Navel Gazing, Kirsty Hendry   Collective Satellites Programme   24 Oct 2020 — 22 Nov 2020   Kirsty Hendry’s new film presents a defense of {…}

Published 22 October 2020, Collective, Collective Observations, Edinburgh.   “Why can’t we see the movement of the tides in a glass of water?”1   This {…}

Double-exposed 35mm 200T motion picture stock

Excerpt from the review of The Fifth Floor: Ideas Taking Space Tate Liverpool, Liverpool 16 December 2008 – 1 February 2009   “Nina Edge assembles {…}

Florilegium: A gathering of Flowers  16 October  –  13 December 2020 Inverleith House RGBE Inverleith Row, Edinburgh EH3 5LR     Florilegium: A gathering of {…}

A is for Avant-Garde, Z is for Zero: Laura Mulvey & Peter Wollen     6 October 2020 – 31 October 2020     &nbsp {…}

    16mm, colour, 4 minutes 53 seconds, 2020, thank you to Kevin Timmins and James Holcombe.  

Intermission, 16mm, colour, silent, 5 mins 39 secs; double exposed colour 35mm, colour 35mm reversal and 35mm 500T motion picture stock. Thank you to artist {…}

A Side. B Side. Double AA Side. On Fabric of Protest, Terra/Nina Edge and Turner Prize 2007. Alex Hetherington   Site and Tate Liverpool, Albert {…}

16mm film with Wendy Kirkup, 2020, colour, 2 mins 53 seconds  

  16mm colour reversal, 2 mins 58 seconds, September 2020, silent, thank you to Kevin Timmins/Gauge Film, My Hand Outstretched to the Winged Distance and {…}

50D motion picture stock, some double exposed, processed and scanned by SilverPan Lab in Bristol, flowers that poison each other, enter radical cathartic poisons, remain {…}

Research project on a queer and trans hapticality. 16mm film 2020, funded in part, by a Bridging Bursary from Creative Scotland. Still originally from the {…}

Real Life, the Private and the Public, On Nina Edge   Liverpool-based artist Nina Edge’s life is her work, in a way that could in {…}

  Thank you to Gauge Film for scan, 16mm camera test, 2020, Stirling, 2 mins, 52 secs.

Bannockburn House, 3 minutes, silent, black and white reversal, 2020. Thank you to Ross Caldwell. Accompanies a camera and film test shot on location in {…}

In collaboration with Wendy Kirkup. Talking, Counting, Blinking, Noting: 16mm film as a collaborative action, 2019-2020.   Bouquet 1, colour 16mm film, 3 minutes, silent {…}

250D 35mm motion picture stock