Preliminary work, untitled George Finlay Ramsay project, 16mm film, colour, filmed at Bamff, East Perthshire, August 2021
Restored 16mm film, 2018-2021, colour and black and white.
I have a healing fluid in my left hand, (double exposed) 35mm and 16mm film, addendum to the project SSS, 2021, research stills Title {…}
Doubles/Doubts, 16mm film, colour, silent, 2 mins, 55 seconds, 2021 Reporting on the last of the expired 100T from the 400ft spooled down to {…}
Reporting on No.3 roll of 400ft of expired 100T encounters film repair and film mending, another mended reference. A slice, or break, happened in the {…}
I have a fascination with what I call the twin eye, a collaborative eye, I think about LAMB and BEAR, by Nashashibi/Skaer or João Maria {…}
1 – 16mm black and white, silent, screen test, with Catherine Street and Rebecca Green, thanks to James Holcombe. 2. 16mm masking film {…}
The black and white flower seen in this scenario should be read as silver. My contribution to artist Sam Williams’ A Soft Landing, commissioned by {…}
16mm film, expired stock 1969, 1 mins 49 secs, 2021 (December 16, 2012), telepathic swans, thanks to James Holcombe.
Double exposed 35mm film, 2021
16mm screening event 22 October 2021, 8-10pm, No.35, Stirling Film #1 Mask-hybrid•NMS • Edinburgh, 2021, black and white (‘Women’s Studies’ with Catherine Street {…}
16mm film, 2021
1. Camera film test, 35mm double exposed film, through two cameras for a 16mm film with Scott Baxter/Walter Lewd, 35mm colour film stills {…}
Staying saturated for the present time in one colour, two 16mm films, 48fps and 24fps, colour, silent, 2021
A text on moving image artist Savinder Bual for the publication 9 Notes, PEER, London, October 2021, with funding from Arts Council of England
The cottage, 16mm film, 9 mins, 04 seconds, 2021, colour, silent. Frames from a 16mm film commission for the artist Cath Whippey, Glasgow, February {…}
35mm color film stills, double exposed, addendum to the 16mm film SSS with Scott Baxter based on a story by Walter Lewd, 2021. Thank {…}
Screen tests for a 16mm film based on a story by Walter Lewd in collaboration with Scott Baxter, 35mm stills, 2021   {…}
35mm and 16mm stills for a film production by artist George Finlay Ramsay, shot on location at the wet lands at Bamff, Perthshire, and following {…}
Fiasco and Sonder, 2020-2021, 16mm film, 2 mins, 37 secs, silent. Reporting on 93ft of film, expired 100T (spooled off from a roll of {…}
