Thank you to Gauge Film for scan, 16mm camera test, 2020, Stirling, 2 mins, 52 secs.

Bannockburn House, 3 minutes, silent, black and white reversal, 2020. Thank you to Ross Caldwell. Accompanies a camera and film test shot on location in {…}

Research project on a queer and trans hapticality. 16mm film 2020, funded in part, by a Bridging Bursary from Creative Scotland. Still originally from the {…}

16mm, black and white reversal footage, silent, 2 mins 54 seconds, shot at Simon and Sergio’s flat in Edinburgh, March 2020. Thanks to James Holcombe {…}

35mm black and white, research, 3 Women (1977), spider plant    

  16mm colour reversal, 2 mins 58 seconds, September 2020, silent, thank you to Kevin Timmins/Gauge Film, My Hand Outstretched to the Winged Distance and {…}

Navel Gazing, Kirsty Hendry   Collective Satellites Programme   24 Oct 2020 — 22 Nov 2020   Kirsty Hendry’s new film presents a defense of {…}

In collaboration with Wendy Kirkup. Talking, Counting, Blinking, Noting: 16mm film as a collaborative action, 2019-2020.   Bouquet 1, colour 16mm film, 3 minutes, silent {…}

250D 35mm motion picture stock  

Postponed, the work is appearing in an online version, 1-22 June 2020. Anxiety & Invocation at Experiments in Cinema, Albuquerque, New Mexico, 14-18 April 2020 {…}

    16mm, colour, 4 minutes 53 seconds, 2020, thank you to Kevin Timmins and James Holcombe.  

A is for Avant-Garde, Z is for Zero: Laura Mulvey & Peter Wollen     6 October 2020 – 31 October 2020     &nbsp {…}

Double-exposed 35mm 200T motion picture stock

35mm double exposed stills.

  ‘A film with folds’, 35mm and 16mm film stills with masking    

50D motion picture stock, some double exposed, processed and scanned by SilverPan Lab in Bristol, flowers that poison each other, enter radical cathartic poisons, remain {…}

Published 22 October 2020, Collective, Collective Observations, Edinburgh.   “Why can’t we see the movement of the tides in a glass of water?”1   This {…}

Intermission, 16mm, colour, silent, 5 mins 39 secs; double exposed colour 35mm, colour 35mm reversal and 35mm 500T motion picture stock. Thank you to artist {…}

This review was originally posted on A-N Magazine’s review page but as a protest against A-N Magazine’s uncritical coverage of the Murdoch-funded Freelands Foundation I {…}

16mm film, shot on location San Francisco, Rohnert Park and Cotati, California, 2019, silent, color and black and white from colour reversal, running time 2 {…}