16mm film, six minutes, colour, silent, 2018, flowers in classification of white and colour, cuts (Rose Lowder), tape, gold leaf, gold letters, Kraftwerk, cardboard, glitter, ties, mirrors, prints, California midnight roses, black fabric, plastic bags with butterfly print.

….to Quieten our Unshieldedness, (wherever it has been abandoned by clarity), and “what use to a being who lives under the sun are jewels of {…}

…. fall from the simple edge.

Featured image stills from 17 March 2018, TYVM residency, ‘You do, do you?’ at The Modern Institute, Glasgow. Studio shoot stills, 27 March 2018, Glasgow {…}

  Chris Marker said that memory, remembering and forgetting and its acts of recollections and vanishings, are intertwined: ‘I will have spent my life trying {…}

The museum is the object with no movement. Jewelry, optical illusions, figurines, glass, chandeliers, skulls, reflections, out of focus, severed focus, sculptures, Jesus, silhouettes, cameos, escalators, dishes, silver, figurines, embroidery, Madame Victoire by Louis-Claude Vasse. (Non-reflex Bc)

Dedicated to John Calcutt. 

  16mm film; 35mm stills.

Review for This is Tomorrow, June 29 2018. With thanks to Wendy Kirkup. Still: WORDS, PLANETS, Laida Lertxundi, 2018, courtesy of the artist and LUX, London {…}

An inclined circle is ill suited to marking time efficiently. Conversely, the circular tyranny of around clock face is anathema to the plotting of contemplative {…}

Père Lachaise, Keith Korbel, La Tour Eiffel, Musee d’Orsay, Sarah Bernhardt, Art Nouveau, art thieves, chandeliers, horses, drying clothes, fountains, street names, Maya Surduts, window garden, antique glass, two men laughing, Robert Ashley fountain

16mm colour film stills, 2018  

austerity is my first disease, 16mm colour film, 2018

Review for ‘This is Tomorrow’, first published 27 February 2018   American Glasgow-based artist Margaret Salmon’s filmic, atmospheric, and carefully rendered installation, sensitive to the {…}

Saturday 9 December – Tuesday 12 December 2017 Image courtesy of Catherine Street, watercolour on paper, 2017   I am beginning to think of the {…}

From a performative screening and reading event Market Gallery, Glasgow 21 July 2018, with thanks to Catalina Barroso-Luque, Jennifer Clews, Rowan Markson, Alex Millar and Tako {…}

White flowers against shadow, to test the highs and lows, and film at the Museum of Scotland with a view to filming delicate things in very low light, and a few things, like marble white busts, sewing on cotton and chandelier parts, in very bright light.

Black and white, 16mm film, silent, 16fps, 2018. Filmed on location at the Tontine Building, GSA, September 2018. Thanks to Bea Haut, Film in Process. Thanks {…}

Karen Cunningham, Poly, Saturday 25 – Tuesday 28 August 2018.   ‘Material Economics’ 2m x 2.22m Guada Bamboo Split Moso Bamboo Clear Acrylic Steel Rope {…}

settings, Lauren Printy Currie, four-channel audio, 2017, Saturday 25 – Tuesday 28 November 2017   I now get to see to see how the summer {…}