Half-frame camera images, San Francisco, December 2021
Preliminary work, untitled George Finlay Ramsay project, 16mm film, colour, filmed at Bamff, East Perthshire, August 2021
Screen tests for a 16mm film based on a story by Walter Lewd in collaboration with Scott Baxter, 35mm stills, 2021   {…}
The black and white flower seen in this scenario should be read as silver. My contribution to artist Sam Williams’ A Soft Landing, commissioned by {…}
16mm film, 2021
400asa infrared, 2022
16mm film, 2021, sequences filmed at Edinburgh College of Art, December 2020, on a Canon Scoopic and Beaulieu R16
1. Camera film test, 35mm double exposed film, through two cameras for a 16mm film with Scott Baxter/Walter Lewd, 35mm colour film stills {…}
I have a fascination with what I call the twin eye, a collaborative eye, I think about LAMB and BEAR, by Nashashibi/Skaer or João Maria {…}
Doubles/Doubts, 16mm film, colour, silent, 2 mins, 55 seconds, 2021 Reporting on the last of the expired 100T from the 400ft spooled down to {…}
Working title “Women’s Studies” with a commissioned text by Catherine Street 2-14 August 2021, Thanks to CCA, Alex Misick and Claude Chan. Synopsis The Creative Lab {…}
16mm screening event 22 October 2021, 8-10pm, No.35, Stirling Film #1 Mask-hybrid•NMS • Edinburgh, 2021, black and white (‘Women’s Studies’ with Catherine Street {…}
35mm color film stills, double exposed, addendum to the 16mm film SSS with Scott Baxter based on a story by Walter Lewd, 2021. Thank {…}
16mm film, expired stock 1969, 1 mins 49 secs, 2021 (December 16, 2012), telepathic swans, thanks to James Holcombe.
Reporting on No.3 roll of 400ft of expired 100T encounters film repair and film mending, another mended reference. A slice, or break, happened in the {…}
16mm film by George Finlay Ramsay, camera: Alex Hetherington; camera and sound Luke Fowler. Periphery frames on 35mm, 2022, funded by Creative Scotland, Generator and {…}
Restored 16mm film, 2018-2021, colour and black and white.
I have a healing fluid in my left hand, (double exposed) 35mm and 16mm film, addendum to the project SSS, 2021, research stills Title {…}
The cottage, 16mm film, 9 mins, 04 seconds, 2021, colour, silent. Frames from a 16mm film commission for the artist Cath Whippey, Glasgow, February {…}
Staying saturated for the present time in one colour, two 16mm films, 48fps and 24fps, colour, silent, 2021
