Production Stills, all Stephen McGarry, all 2010 Linda Fratianne is a multi-screen film of a devised performance which orchestrates complex, often abrasive, materials. It {…}
What Structures, text on Kate V. Robertson, Intermedia, CCA, 2010
A2 edition of a short-lived collaborative zine project Neon John, produced in Glasgow, Scotland and San Francisco, California, 2009-2010, revived in 2012 and 2016
Ritual Bombardment In The Charnel House of Power I have been having an (episodic) conversation about artist Nina Edge’s work for over thirteen years {…}
Text descriptions of works by Trisha Donnelly sung live, 2010, with a logo design by Benjamin Fallon
A2 grayscale edition published in collaboration with Glasgow-based artist Michelle Hannah, 2010
Heavy Influence, esw aka Nepotism Workshop/Triangle of Need/Creative Lab, CCA/A Million Lies; Once & Only Revealed After Death, Alt-W, 2009
‘a public enquiry into the artist as the subject, the artist on public view’ It begins with a reunion. And an invitation to {…}
A2 grayscale film poster produced on the occasion of Walls of Light, Stina Wirfelt, Katri Walker, Callum Stirling, Alex Hetherington, Clara Ursitti, Henry Coombes, CCA, Glasgow {…}
A2 grayscale edition published in collaboration with Edinburgh-based artist Shona Macnaughton, 2010
Reverse page with text from Cliff Hengst, San Francisco 2010
Narrative is a fraudulent extinct melodramatic species
Excerpt from the review of The Fifth Floor: Ideas Taking Space Tate Liverpool, Liverpool 16 December 2008 – 1 February 2009 “Nina Edge assembles {…}
A2 grayscale edition published in collaboration with Glasgow-based artist Luke Collins, 2010
Los Angeles-based video artist Catherine Sullivan’s work could easily be described in terms of radicalising theatre companies like Sheffield’s Forced Entertainment, Chicago’s Goat Island or {…}
A Side. B Side. Double AA Side. On Fabric of Protest, Terra/Nina Edge and Turner Prize 2007. Alex Hetherington Site and Tate Liverpool, Albert {…}
