Featured image stills from 17 March 2018, TYVM residency, ‘You do, do you?’ at The Modern Institute, Glasgow. Studio shoot stills, 27 March 2018, Glasgow {…}

  Chris Marker said that memory, remembering and forgetting and its acts of recollections and vanishings, are intertwined: ‘I will have spent my life trying {…}

THIS IS IT – UNIVERSE, video installation by moving image artist Helen McCrorie, October 7-10 2017.   There is an anomalous light feature here in {…}

(fabrics from Murder on the Orient Express, 1974)

Review for This is Tomorrow, June 29 2018. With thanks to Wendy Kirkup. Still: WORDS, PLANETS, Laida Lertxundi, 2018, courtesy of the artist and LUX, London {…}

An inclined circle is ill suited to marking time efficiently. Conversely, the circular tyranny of around clock face is anathema to the plotting of contemplative {…}

Anonymiser Particular, Richard Taylor, 22-24 September 2017, performance and audio and slide installation with Glasgow-based visual artist Richard Taylor       My reading starts {…}

“This text reflects on a conversation with the artist in his studio with its itinerant assembly of materials and ideas. The text attempts, through encounters {…}

21 April 2018, BALTIC, Centre for Contemporary Art, Gateshead

Review for ‘This is Tomorrow’, first published 27 February 2018   American Glasgow-based artist Margaret Salmon’s filmic, atmospheric, and carefully rendered installation, sensitive to the {…}

Saturday 9 December – Tuesday 12 December 2017 Image courtesy of Catherine Street, watercolour on paper, 2017   I am beginning to think of the {…}

The project ENTHUSIASM with Edinburgh-based artist Andrew Gannon is the first in a series of proposed exhibitions set in the rooms of my new flat {…}

FRACTO is an annual Experimental Film Encounter which will be held at ACUD Cinema & Studio Berlin.

Karen Cunningham, Poly, Saturday 25 – Tuesday 28 August 2018.   ‘Material Economics’ 2m x 2.22m Guada Bamboo Split Moso Bamboo Clear Acrylic Steel Rope {…}

settings, Lauren Printy Currie, four-channel audio, 2017, Saturday 25 – Tuesday 28 November 2017   I now get to see to see how the summer {…}

Jonathan Owen • Karen Cunningham • Jane Topping

“The film will be at silent speed – so 4 minutes 26 seconds”