Edition for Allison Gibbs, Ripples on the Pond, with a performance from Ruth Barker
Thursday 30 July, 7.30pm and How to wash your hands in molten metal, 18 February – 10 March 2016

The White Ink Lecture addresses the audience as a lesson in the form of a reported seance, summoning a sequence of associative connections between French {…}

Originally published at This is Tomorrow, 3 September 2015, photography Chris Park © Talbot Rice Gallery, Edinburgh   An analysis of the properties and conduct of {…}

Screenings, print, newspaper edition of 100, video, sculpture and performance from Zoë Fothergill, Anne McGuire, Lucy Skaer, Katrina Vallé, Amy Pickles, Mairi Lafferty, Anna Lucas {…}

A3 colour print, made in an edition of 50, made to disappear from the gallery, 2015, (from a 16mm film still, 1985)

And Under That (2012). Video, 32 minutes, 5.1 surround sound/stereo soundtrack. Anne-Marie Copestake Screened courtesy of the artist and LUX, London For Sue. Dedicated to {…}

Modern Edinburgh Film School presents Lauren Gault: Granular & Crumb Saturday 5 September 2015 4 – 6 pm Glasgow Sculpture Studios Gallery For Ripples on the {…}

Experimental writing and poetry anthology, 2015   works by Catherine Street, Modern Edinburgh Film School, Iain Morrison, Janie Nicoll, Sarah Forrest & Virginia Hutchison, Laura {…}

Edinburgh Homosexual print series, final publication, A3 colour edition, published in an edition of 50, 2015

MOTHS is a partial or pretend narrative which explores the relationship between public and private spaces, alluding to their multiple occupancy and historical functions, presented {…}

Screening, THAT NOW, 2013, HD video with Sound, 10:05 mins   Part of Ripples on the Pond, a year-long exhibition and screening project examining works {…}

Catherine Street, with Iain Morrison, Ripples on the Pond, CCA, Glasgow 26 May 2015, Mineral Mind, 2014, audio, 05 mins 55 secs, Limitunlimit,  2015, HD video {…}

Phyllida Barlow: set left to right: untitled: caro, 2015, timber, plywood, filler, paint, 360 x 480 x 270 cm; untitled: block, 2015, timber, polystyrene, cement {…}

Print edition for LUCY SKAER Harlequin’s Ingots, 2012, Copper 24 parts, each 2 x 2 x 13.5 — 20 in / 5 x 5 x {…}

A3 colour print, made in an edition of 50, made to disappear from the gallery, 2015

  2015, Ripples on the Pond, Mairi Lafferty edition, Droste 16mm film screening with talks and video by Suzanne van der Lingen, Alex Hetherington and {…}

A Room Full of Stones, 2014 and Bagmotts Halt, 2014 Anne Colvin 28 May – 9 July 2015, Gallery of Modern Art   GoMA are {…}

Originally published at Aesthetica Blog, July 2015   London-based artist Marvin Gaye Chetwynd contributes to the Edinburgh Art Festival’s commissioning strand The Improbable City, with {…}

Photograph: Alex Hetherington   The Speed and Daring of the Fabling Boys is a series of sketches in text, print and a performed game. It {…}

Modern Edinburgh Film School: Zoë Fothergill, Anne McGuire, Lucy Skaer, Katrina Vallé, Amy Pickles, Mairi Lafferty, Anna Lucas, Allison Gibbs, Jenny Brady and Bobby Niven {…}