Published for DISPATCH, January 2017, Linder, The Ultimate Form, 2013, Installation view Cooper Gallery, Chapter Two, Of Other Spaces: Where does gesture become event? 2017. Photo by {…}

Installation shots from FFWD at Shanghai Minsheng Museum of Art, with screenings at Pure Movement, K11 Art Village, Wuhan and The Hallucinating Edge, Red Brick {…}

2017, “Gold on affiche paper, an attempt to present the evolution and dispersal of an image, from an actor gilding his own hand to a {…}

Originally published at This is Tomorrow, 18 November 2o16, image courtesy of Talbot Rice Gallery   Glasgow-based artist Rob Kennedy’s new installation for Talbot Rice {…}

A2 colour edition of commissioned writing, November 2016 A commissioned report on the two-day Festival of screenings and performances programmed by Sarah Tripp and Ed {…}

Experimental domestic exhibition projects, 2017-2018

C-type, 24” x 20” print for a reading and performance group

With texts on films, screenings and talks by Emma Finn, Derek Jarman, SUPERLUX, GLITCH Film Festival, Edward Thomasson, Raju Rage, et al, edition of 50 {…}

Screening event at Rhubaba Gallery, Edinburgh   Programme: Rachel Reupke, Letter of Complaint HD video, United Kingdom, 2015 9 minutes 54 seconds, Colour/Black and white {…}

Originally published at This is Tomorrow, 21 April 2016, Claire Barclay: Bright Bodies, installation view at Kelvin Hall, 2016, Photo: Ruth Clark   Claire Barclay’s installations {…}

She closed her eyes and walked, hands outstretched until she came to a piece of furniture. Between her and the objects there was something, but {…}

A3 colour print on 115gms Affiche paper, edition of 50, published 2017

C-type print, 2016

2015, Do It All On The Same Day, 2015-2016, pages from an archive project published over two booklets and a published separately, an essay by {…}

2016 A3 folded to A4 edition

Originally published at This is Tomorrow, 3 February 2017   Alex Hetherington’s research trip to Shanghai was funded by an Open Project award from Creative {…}

Photograph: Alex Hetherington, Argyle Street railway station   Follies are at different times the definition of ugliness, objects of unsuitability, modes of flamboyance and whim {…}

Originally published on 5 February 2016 at This is Tomorrow.ALL SYSTEMS… go Liam Gillick & Anton Vidokle, Miranda Pennell, Dominic Watson | Curated by Sophia Hao {…}

The Clock in Commune, Helen McCrorie, 22 minutes, 12 seconds, sound, colour, UK, three-channel HD video, Glasite Meeting House,  33 Barony Street, EH3 6NX, Edinburgh Art Festival {…}

A3 folded to A4, grayscale edition of 50, 2016