Screened at Twin-Eye, Studio Jamming, 18 Sept 2019, Cooper Gallery, Dundee. Colour reversal film, 16mm, 2 mins 48 seconds, silent. Screened at ‘…on being still {…}
I have been exploring the histories, material richness and dilapidation at Bannockburn House, including the room with the fire, as the House comes back into {…}
35mm motion picture stock/half-frame, film tests.
Set for a 16mm black and white with masking and double-exposures, 2019.
Garlands, Hadrian, lighthouses, skulls, minerals, crystals, weights, gold, skeleton, chandeliers, etched glass, woven hair, glance.
Part of Talking Counting Blinking Noting, 16mm film as a collaborative action, 2019-2020.
35mm motion picture stock, 6 ISO, Catherine’s Garden, black sunflower
Black and white reversal/black and white negative double exposed with masking, 2019. Please stand by. beyond all else
Metropolitan Cathedral, John Piper, Ugo Rondinone, paper flowers at Waiting, The Lisbon chandeliers
The most important exchange is with the unknown*. Film B roll: 16mm 24fps, 1 min 26 secs, 50D, with thanks to Dan Shay. Black and {…}
Slide film #01, shot at the CCA, Glasgow 24 May 2018, 16mm film with masking, silent, graded to black and white. Semiology slides {…}
35mm motion picture stock, double-exposed. Bad teeth, brittle nails, runner’s muscle, half-tone arms, foot with gold nail varnish, migraine, orange-appled.
Colour and black & white, silent, 5 mins 58 seconds, 2019
Museumsinsel, title from Beatrice Gibson’s I Hope I’m Loud When I’m Dead, found glass, crystals, Nefertiti, faces, dear ghost, dear ghost, ‘Pensées’, Blaise Pascal, void, shape of manoeuvre, doubt, doubt, doubt, CA Conrad
The most important exchange is with the unknown. Film A roll, May 16 2019. 2 mins 43 secs. Thanks to Gauge Films. charm*charm*charm* charm*charm*charm {…}
Thank you to Tina Fiske, Emma Dove, Mark Lyken, Briony Anderson and Nicola Jeffs. ROSALIND NASHASHIBI Part One: where there is a joyous mood {…}
Double-exposed 35mm motion picture stock, Catherine’s garden, Mark’s ink
Temporary arrangement in gold leaf, wax, candles, paper, gold letters, mirror, tape. Set for a 16mm film with masking and double-exposures.
No.1 28 June 2019 No.2 1 July 2019 No. 3 2 July 2019 Thank you to producer and filmmaker Nance Barić – Get it on {…}
3 mins 04 secs, 16mm, silent, colour, shot at ROST, Glasgow, 2019