Andrew Gannon, Alex Hetherington, Oliver Mezger, 2016-2017 Camera: Oliver Mezger, with thanks to Katie Bruce, Alex Misick and Francis McKee
Originally published at This is Tomorrow, June 2017 Image: Tschabalala Self, Tramway 2017 American artist Tshabalala Self whose work is concerned with the iconographic {…}
Stills from a 16mm test film, studio camera Alex Hetherington, Rhubaba camera Oliver Mezger
Experimental domestic exhibition projects, 2017-2018
C-type, 24” x 20” print for a reading and performance group
Published on the occasion of Kate Davis NUDES NEVER WEAR GLASSES, Stills Gallery, Edinburgh, 28 July – 8 October 2017
Image courtesy Talbot Rice Gallery, Credit: Stirling University Originally published in a different form at This is Tomorrow, 25 September 2017 Stephen Sutcliffe’s summer {…}
Performances of Andrew Gannon’s Work with Stone, 2016, esw and Waverley station, 35mm slides transferred to digital, 2 of 80
She closed her eyes and walked, hands outstretched until she came to a piece of furniture. Between her and the objects there was something, but {…}
A3 colour print on 115gms Affiche paper, edition of 50, published 2017
“There is Accuracy.” CCA, Glasgow 1 September 2017, Rhubaba Gallery & Studios, Edinburgh 13 July 2017
Originally published at This is Tomorrow, 5 May 2017, Black Audio Film Collective, Twilight City, Dir. Reece Auguiste, 52mins, loop, 1989. Photography by Alan Dimmick   {…}
Performances of Andrew Gannon’s Work with Stone, 2016, Waverley station, 35mm slides transferred to digital, 2 of 80
Originally published at This is Tomorrow, 3 February 2017 Alex Hetherington’s research trip to Shanghai was funded by an Open Project award from Creative {…}
Photograph: Alex Hetherington, Argyle Street railway station Follies are at different times the definition of ugliness, objects of unsuitability, modes of flamboyance and whim {…}
Originally published at This is Tomorrow, August 2017, Installation view, You hardboiled I softboiled, Rhubaba Gallery and Studios, 2017. Image courtesy of Rhubaba Gallery and {…}
16mm colour film, carousel of 80 colour slides, documenting four one-hour durational performances devised by Andrew Gannon, Edinburgh, various locations, 2016; shot at Rhubaba Gallery {…}
Published for DISPATCH, January 2017, Linder, The Ultimate Form, 2013, Installation view Cooper Gallery, Chapter Two, Of Other Spaces: Where does gesture become event? 2017. Photo by {…}
Installation shots from FFWD at Shanghai Minsheng Museum of Art, with screenings at Pure Movement, K11 Art Village, Wuhan and The Hallucinating Edge, Red Brick {…}
2017, “Gold on affiche paper, an attempt to present the evolution and dispersal of an image, from an actor gilding his own hand to a {…}
