Experimental domestic exhibition projects, 2017-2018
C-type, 24” x 20” print for a reading and performance group
With texts on films, screenings and talks by Emma Finn, Derek Jarman, SUPERLUX, GLITCH Film Festival, Edward Thomasson, Raju Rage, et al, edition of 50 {…}
Screening event at Rhubaba Gallery, Edinburgh Programme: Rachel Reupke, Letter of Complaint HD video, United Kingdom, 2015 9 minutes 54 seconds, Colour/Black and white {…}
Originally published at This is Tomorrow, 21 April 2016, Claire Barclay: Bright Bodies, installation view at Kelvin Hall, 2016, Photo: Ruth Clark Claire Barclay’s installations {…}
She closed her eyes and walked, hands outstretched until she came to a piece of furniture. Between her and the objects there was something, but {…}
A3 colour print on 115gms Affiche paper, edition of 50, published 2017
C-type print, 2016
2015, Do It All On The Same Day, 2015-2016, pages from an archive project published over two booklets and an essay by Richard Taylor published {…}
2016 A3 folded to A4 edition
Originally published at This is Tomorrow, 3 February 2017 Alex Hetherington’s research trip to Shanghai was funded by an Open Project award from Creative {…}
Photograph: Alex Hetherington, Argyle Street railway station Follies are at different times the definition of ugliness, objects of unsuitability, modes of flamboyance and whim {…}
Originally published on 5 February 2016 at This is Tomorrow.ALL SYSTEMS… go Liam Gillick & Anton Vidokle, Miranda Pennell, Dominic Watson | Curated by Sophia Hao {…}
The Clock in Commune, Helen McCrorie, 22 minutes, 12 seconds, sound, colour, UK, three-channel HD video, Glasite Meeting House, 33 Barony Street, EH3 6NX, Edinburgh Art Festival {…}
A3 folded to A4, grayscale edition of 50, 2016
Installation shots from FFWD at Shanghai Minsheng Museum of Art, with screenings at Pure Movement, K11 Art Village, Wuhan and The Hallucinating Edge, Red Brick {…}
2017, “Gold on affiche paper, an attempt to present the evolution and dispersal of an image, from an actor gilding his own hand to a {…}
Originally published at This is Tomorrow, 18 November 2o16, image courtesy of Talbot Rice Gallery Glasgow-based artist Rob Kennedy’s new installation for Talbot Rice {…}
A2 colour edition of commissioned writing, November 2016 A commissioned report on the two-day Festival of screenings and performances programmed by Sarah Tripp and Ed {…}
Essay by Richard Taylor
