Publication for an archive project funded by an Edinburgh Visual Arts Award, 2015, with an essay by Richard Taylor, published in a separate edition.

Silhouette, Proximity, Panopticon, Score is the bringing together of recent works by four contemporary women artists living and working in Scotland: Lauren Printy Currie, Kirsty {…}

And Under That (2012). Video, 32 minutes, 5.1 surround sound/stereo soundtrack. Anne-Marie Copestake Screened courtesy of the artist and LUX, London For Sue. Dedicated to {…}

Modern Edinburgh Film School presents Lauren Gault: Granular & Crumb Saturday 5 September 2015 4 – 6 pm Glasgow Sculpture Studios Gallery For Ripples on the {…}

Florian and Michael Quistrebert: Visions of Void, first published This is Tomorrow, 27 February 2015 Dundee Contemporary Arts, Dundee, 7 February – 22 March 2015&nbsp {…}

super-8mm and 16mm films CCA, Glasgow, 24 May 2016. A2 colour edition with spoken notes.

Edition for a screening of three films by Rosalind Nashashibi and two films by Nashashibi/Skaer, Gallery of Modern Art, Glasgow, 21 April 2016 Carlo’s Vision {…}

Screening, THAT NOW, 2013, HD video with Sound, 10:05 mins   Part of Ripples on the Pond, a year-long exhibition and screening project examining works {…}

Catherine Street, with Iain Morrison, Ripples on the Pond, CCA, Glasgow 26 May 2015, Mineral Mind, 2014, audio, 05 mins 55 secs, Limitunlimit,  2015, HD video {…}

Originally published at This is Tomorrow, 7 April 2016, Poster Club, NEW Wheat, NEW Mud, NEW Machine, 2016. Installation view Cooper Gallery. Photo by Ross Fraser {…}

Wednesday 2 December 2015, CCA, Glasgow   Modern Edinburgh Film School presents a screening of recent and new works in moving image by Glasgow-based artist {…}

  2015, Ripples on the Pond, Mairi Lafferty edition, Droste 16mm film screening with talks and video by Suzanne van der Lingen, Alex Hetherington and {…}

A Room Full of Stones, 2014 and Bagmotts Halt, 2014 Anne Colvin 28 May – 9 July 2015, Gallery of Modern Art   GoMA are {…}

Phyllida Barlow: set left to right: untitled: caro, 2015, timber, plywood, filler, paint, 360 x 480 x 270 cm; untitled: block, 2015, timber, polystyrene, cement {…}

Modern Edinburgh Film School began as a season of events relating sculpture to film, while also thinking about spaces and institutions in Edinburgh and their {…}

Edition for Allison Gibbs, Ripples on the Pond, with a performance from Ruth Barker
Thursday 30 July, 7.30pm and How to wash your hands in molten metal, 18 February – 10 March 2016

The White Ink Lecture addresses the audience as a lesson in the form of a reported seance, summoning a sequence of associative connections between French {…}

Originally published at This is Tomorrow, 3 September 2015, photography Chris Park © Talbot Rice Gallery, Edinburgh   An analysis of the properties and conduct of {…}

Originally published at Aesthetica Blog, July 2015   London-based artist Marvin Gaye Chetwynd contributes to the Edinburgh Art Festival’s commissioning strand The Improbable City, with {…}