What do butterflies’ wings sacrifice to the air around them? The Hunterian Art Gallery 82 Hillhead Street University of Glasgow Glasgow G12 8QQ 16 November {…}

    Colour film, 1 min, 52 secs, St Abbs’ Lighthouse     Stained and torn frames         35mm motion picture stock {…}

Main: Black and white 35mm research still, 2019      

Studio Jamming | Cooper Gallery new season party 2019 Cooper Gallery, DJCAD Wednesday 18th September 2019, 5-8pm Twin Eye “Is it possible to find a {…}

Slide film #01, shot at the CCA, Glasgow 24 May 2018, 16mm film with masking, silent, graded to black and white.     Semiology slides {…}

Titles Anonymous Writes A Spell for the Camera/Michelle Hannah’s Arm/Marisa’s High, with Michelle Hannah, 2019 An imaginative substitution/Burdens, with Emma Balkind, 2019 The Right of {…}

Laboratory processing accidents from stills for a location shoot with artist filmmaker Helen McCrorie. Images of the Faichney memorial at Innerpeffray Library. Image noise from {…}

Still life with flowers in a glass vase on a stone leaf. Bouquet with ao day flower, rose (white, pink), wheat, cow parsley, carnation (red-white), trosnarcis, sleeping bulb, tulip (red-white), sweet pea, dog rose, honeysuckle, lapflower, Gelderland rose, anemone (red) and an anemone on the plinth (red); furthermore an atalanta butterfly, a caterpillar of psi butterfly, a span caterpillar, beetles, ants and other insects, spiders and a garden snail.

Double exposed 35mm motion picture stock (500T)

Thank you to Tina Fiske, Emma Dove, Mark Lyken, Briony Anderson and Nicola Jeffs.   ROSALIND NASHASHIBI Part One: where there is a joyous mood {…}

Mysterious bulbs and botched isms. Filmed Edinburgh 5 December 2019.  

Colour and black & white, 16mm, time tbc, 2019. ‘An old fashioned girl.’  

“Change the language of the object based on the origins of the object.” ‘Talking, counting, blinking, noting’* takes the form of a period of reflection on {…}

Screened at Twin-Eye, Studio Jamming, 18 Sept 2019, Cooper Gallery, Dundee. Colour reversal film, 16mm, 2 mins 48 seconds, silent.   Screened at ‘…on being still {…}

I have been exploring the histories, material richness and dilapidation at Bannockburn House, including the room with the fire, as the House comes back into {…}

Your Name Which Isn’t Yours and Seven for a secret, Never to be told. Filmed on location, Glasgow, 24 October 2019, single colour 16mm roll and stills {…}

35mm production stills for a 16mm film, photography by Alex Hetherington and Leah Millar. (For the alarms and power cut: Atmospheric phenomena are expressions of universal sympathy/resemblances)

Masking test, black and white 16mm reversal, silent, 2 min 58 seconds, 2019; test for a work with Wendy Kirkup as part of Talking Counting {…}

Part of Talking Counting Blinking Noting, 16mm film as a collaborative action, 2019-2020.  

35mm motion picture stock, 6 ISO, Catherine’s Garden, black sunflower