I have been exploring the histories, material richness and dilapidation at Bannockburn House, including the room with the fire, as the House comes back into {…}
35mm motion picture stock/half-frame, film tests.
Set for a 16mm black and white with masking and double-exposures, 2019.
Garlands, Hadrian, lighthouses, skulls, minerals, crystals, weights, gold, skeleton, chandeliers, etched glass, woven hair, glance.
* to look at these images you write a spell for the camera, 35mm black and white, 16mm black and white, 2019
35mm motion picture stock, 6 ISO, Catherine’s Garden, black sunflower
Black and white reversal/black and white negative double exposed with masking, 2019. Please stand by. beyond all else
Metropolitan Cathedral, John Piper, Ugo Rondinone, paper flowers at Waiting, The Lisbon chandeliers
The most important exchange is with the unknown*. Film B roll: 16mm 24fps, 1 min 26 secs, 50D, with thanks to Dan Shay. Black and {…}
Filming forgetting, delay, pause, hesitation, luck, unfinishedness, serendipity, failure. Stopped R100, underexposed 35mm reversal black and white, May 2019
35mm motion picture stock, double-exposed. Bad teeth, brittle nails, runner’s muscle, half-tone arms, foot with gold nail varnish, migraine, orange-appled.
Colour and black & white, silent, 5 mins 58 seconds, 2019
Museumsinsel, title from Beatrice Gibson’s I Hope I’m Loud When I’m Dead, found glass, crystals, Nefertiti, faces, dear ghost, dear ghost, ‘Pensées’, Blaise Pascal, void, shape of manoeuvre, doubt, doubt, doubt, CA Conrad
The most important exchange is with the unknown. Film A roll, May 16 2019. 2 mins 43 secs. Thanks to Gauge Films. charm*charm*charm* charm*charm*charm {…}
Short-end reversal film, 1/40, 35mm half-frame reversal film, and 100ft Double-X, made after Julia Parks’ Edinburgh workshop, 16-17 March 2019, with thanks to Julia, Oliver {…}
Double-exposed 35mm motion picture stock, Catherine’s garden, Mark’s ink
Temporary arrangement in gold leaf, wax, candles, paper, gold letters, mirror, tape. Set for a 16mm film with masking and double-exposures.
No.1 28 June 2019 No.2 1 July 2019 No. 3 2 July 2019 Thank you to producer and filmmaker Nance Barić – Get it on {…}
3 mins 04 secs, 16mm, silent, colour, shot at ROST, Glasgow, 2019
2019, 16fps, silent, Orwo, 90ft, Double-X, 100ft, print, and Tri-X reversal, 60ft (double exposed). Film with paresthesia. Optical illusions, retina debris and hallucinations, migraine {…}